光隙

光，總是在縫隙裡被感知。

不是最明亮的地方，

而是在遮蔽與敞開之間，

那些被留下的間隙，

使空間開始有了呼吸。

原始為16坪3房的格局，

房間切割使光停留於邊界，

公共空間顯得狹隘。

因應兩人居住，

調整為兩房配置，

捨去一室，

讓光得以引入客餐廳，

恢復空間的開放與流動。

次要臥室整合隱藏掀床，

保留使用彈性；

公私領域以橫拉門界定，

於開闔之間取得分隔與連續的平衡。

地坪材質的轉換引導動線，

櫃體上方留空、底部輔以茶鏡，

使視線延伸，層次隨之展開。

整體以大地色系為基底，

木質、石材與礦物塗料交織，

搭配手工紙燈柔化光線，

讓空間保有溫潤且安定的質地。

光不只是進入，

而是在停留與穿越之間，

被緩慢地感知。

Light in the Intervals.

Light is always perceived

through the gaps.

Not in the brightest place,

but between concealment

and openness—within

the intervals intentionally

left behind—space begins

to breathe.

Originally a 16-ping,

three-bedroom apartment,

the compartmentalized

layout restricted natural

light to the periphery,

resulting in a constrained

public living area.

Designed for two residents,

the plan was reconfigured

into a two-bedroom home.

By removing one enclosed room,

natural light is drawn

into the living and dining areas,

restoring openness, circulation,

and spatial fluidity.

The secondary bedroom

integrates a concealed fold-up bed,

allowing the space to

flex between guest room,

study, and open-use area.

Sliding doors define the

transition between

public and private zones,

achieving a balance

between separation

and continuity.

Subtle flooring transitions

guide movement,

while elevated cabinetry,

open upper voids,

and tea-tinted mirror

bases extend the visual

axis and introduce layered depth.

An earthy palette anchors

the interior, combining wood,

stone, and mineral-based

finishes to create a calm,

tactile environment.

A handcrafted paper

lantern diffuses light softly,

lending warmth and a

quiet sense of stillness to the space.

Here, light is not simply introduced.

It is shaped, filtered,

and allowed to linger—

slowly revealing the depth of space.

LOCATION: NEW TAIPEI CITY, TAIWAN
YEAR: 2026
AREA: 14 PING
PHOTOGRAPHER: IVAN CHUANG